'I Saw the Devil' review

No one wins in this cat and mouse game of cop versus killer

By Geoff Berkshire

Metromix
March 3, 2011

 
Critic's Rating:
2

'I Saw the Devil' review
Kim In-seo (Credit: Magnet)
Byung-hun Lee as Kim Soo-hyeon in ``I Saw the Devil.'' Min-sik Choi as Kyung-Chul in ``I Saw the Devil.'' Byung-hun Lee as Kim Soo-hyeon in ``I Saw the Devil.'' Min-sik Choi as Kyung-Chul and San-ha Oh as Joo-yeon in ``I Saw the Devil.'' In-seo Kim in ``I Saw the Devil.''
I Saw the Devil
Running time:
141 minutes
Cast:
Byung-hun Lee -
Soo-hyun
Min-sik Choi -
Kyung-chul
Kook-haun Chun -
Capt. Jang
Ho-jin Chun -
Detective Oh
San-ha Oh -
Ju-yeon
See full cast
Director:
Kim Jee-woon
Official Movie Web Site:
http://www.isawthedevilmovie.com/
Overall User Rating:
0 (0 ratings)
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Soulless serial killer Kyung-chul (Min-sik Choi, the star of “Old Boy”) chooses the wrong victim when he kills the young fiancée of elite special agent Dae-hoon (Byung-hyun Lee of “The Good, the Bad and the Weird”). Now Dae-hoon will stop at nothing until he gets revenge, and he’s constructed a merciless game of cat and mouse to make sure that vengeance is as slow and painful as possible.

The verdict: The latest from Korean genre-hopper Jee-woon Kim (who directed the horror film “A Tale of Two Sisters” and the western “The Good, the Bad and the Weird”) supplies the kind of visceral thrills crime fans crave with just enough intellectual distance to please highbrow cult mavens. But look past the surface panache and “Devil” proves rotten at the core. The mano-a-mano battle between killer and cop leaves no room or regard for women, who are represented exclusively as one dimensional victims to be tortured, abused and avenged. Meanwhile, the killer comes off as an engaging anti-hero—clearly psychotic but tailor-made for fanboy worship. After a barrage of chases, fight scenes and graphic violence intended to delight and excite the audience, “Devil” does its conscientious duty to deliver a message about the spiritual toll of revenge. Too bad the hypocritical and hyperbolic action mayhem Kim orchestrates is no match for the level of relentless moral probing in the similarly-themed and vastly superior French Canadian thriller “7 Days.”

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